Undergo significant character development.Whereas a three-dimensional or round character will typically: In other words, they're the opposite of a " round character," who has a fully fleshed out profile and changes throughout the story. They also don't undergo any kind of change to make them more well-rounded. What is a flat character?Ī flat character is a character with little to no complex emotions, motivations, or personality. First off, let's talk about what this term means. Which is why we want to illustrate exactly what is a flat character: with a clear definition, examples, and instructions on how to fix any flat characters you may come across in your writing. especially if you're not exactly sure what constitutes one. Sometimes the hardest part is simply identifying when you do have a flat character on your hands. But having a flat character or two isn't the end of the world - or even the end of your story! And if you can learn how to turn a two-dimensional character into a three-dimensional one, you'll have a real leg up on all future character creation. An accusation that your characters read like a cardboard cut-outs is like a knife in the heart of any fledgling writer. The former is a ‘flat character, and the Prince is a round character who changes and develops considerably in the course of the play.“Riddled with flat characters” is perhaps the most damning thing you can hear from an editor or reviewer. Shakespeare’s Henry IV (Pts I and II) provides a suitable contrast in the shape of Hotspur and Prince Hal. Micawber in Charles Dickens’s David Copperfield (1849–50) as a flat character and Becky Sharp in William Thackeray’s Vanity Fair (1847–48) as a round one. On the other hand, a ‘round’ character is a complex character with many different characteristics and develops throughout the play or story and thus alters and can surprise the readers.įorster cites Mrs. A ‘flat’ character is uncomplicated, and remains the same in the course of a story or play, and is characterized by only one or two traits. Forster in Aspects of the Novel (1927) to describe two basically different types of character- and characterization. The terms “flat and round characters” are first used by E.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |